Hugo Paquete
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Intermedia and sound artist
In his research uses concepts about space, noise, error, glitch and micro-tonality as a visual and audible ecosystem according to spatial and Post-digital conditions. In his works he uses technical elements and practices from the field recording to computer generated sound synthesizing and audio spacialization. Denoting interest in stochastic probabilities between computer algorithmic and programming interaction with software and object oriented composition and performance.
He was a resident artist in the ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, IMA | Institute for Music & Acoustics. Where he met and collaborate with Chris Zigler. Distinction in the Interactive Art category price Prix Ars Electronica 2010, and recommendation jury 14th Japan Media Arts Festival, Tokyo, Japan 2010.
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Radiação obscura: evento data-sonoro e o som extra vibratório.

Hugo Paquete: CIAC: Centro de Investigação em Artes e Comunicação e ID+ Instituto de Investigação em Design e Cultura. Universidade Aberta
Portugal

Adérito Fernandes-Marcos: CIAC, INESC-TEC e LE@D. Universidade Aberta
Portugal

Paulo Bernardino Bastos: ID+ Instituto de Investigação em Design e Cultura. Grupo: Praxis and Poiesis: from arts practice towards art theory. Universidade de Aveiro Portugal


Abstract
This essay analyze the impact of the sonification processes in the sound arts. This is achieved exploring the definition of their production methodologies, philosophical implications and conceptual significance taking as examples my artistic experiments with sonification of light and electromagnetic fields explored in my projects Obscure Radiation: events of decay and extrude, 2018 that is presented in this analyses as a graphical notation “data” visualization system. The sonification as an artistic practice consist of generating art works based in the data-flows. Originated a sound event outside the physic of sound as non-vibration force. That is associated in my argument as data-event-sound connected with a new ontology outside the forces that animate the understanding of sound as vibration. Opening the understanding of the work of art as a system of interdependent relations in digital-art. Generating new ways of understanding sound as mutation in which digital, culture and spiritual establish interconnections between the computer as a digital domain in a landscape of code, promoting complex regimes of laminar-perception.

Keywords
Artes sonoras, Sonificação, Arte Digital, Data-Evento-Sonoro, Pós-Digital

✗ Hugo Paquete ✗ resarch ✗ conceptual ✗ sonification visualization ✗ science ✗ art and technology ✗ arthicule ✗ data