(Be) coming, the exhibition teaser for #RHI at maat this week. The exhibition will be in the coming November at P28 in Lisbon, and then will travel as in previous years of #FACTT.
It is necessary to rethink the dialogue between art, culture and business. The initiative RHI will take place in 12 cities in Portugal, from the North to the South of the country.
From 14 to 21 September 2019 in MAAT - Museu de Arte, Arquitetura e Tecnologia.
Obscure Radiation: events of decay and extrude, Hugo Paquete. 2019
Presented with the support of Kauno kūrybinių industrijų centras in Lithuania in the city of Kaunas. StreetArt jaunųjų menininkų scena ir Hugo Paquete performansas Dėkojame visiems, kurie buvo kartu.
Obscure Radiation: events of decay and extrude is developed around concepts such as territorial sonification, technological unpredictability, systems and electromagnetic spectra. This work is achieved by transforming the light of the surrounding space and electrical amplitudes into sound events and composition material, manipulated in real time in a systematic musical and visual performative experimentation. Superposition of registers of electromagnetic fields generated in the local context as elements of power and intangibility, which represent the electromagnetic sub-landscape of the techno-cultural network society. Underlining the cognitive phenomena around the use. The objective is to develop a work that expresses the immaterial dimensions of reality, where order and indeterminism act as forces to build an experience that is built on the threshold of noise and silence.
Author: Hugo Paquete
Duration and dimensions: Variable
Year: 2019
This musical performance and Multimedia project has is first presentation and develop based in Valladolid in Lava: Laboratorio de las Artes integrated in the project CreArt (Network of Cities for Artistic Creation) and European cultural fund as a resident artist in 2018.This is a second version of the project with some audio and visual interactive evolutions.
The Terminal Body: Connection Network and Aesthetic Obsolescence. Hugo P…
The Terminal Body: Connection Network and Aesthetic Obsolescence. This multimedia installation explores the anthropological and technocultural analysis that follows the changeability of the tangibility of the terminal body subject, using David Le Breton in Farewell to the Body (2003). The urban-corporeal technoscientific imaginary is explored in complete decay, precariousness and imperfection, in which ‘Post-flesh’ Kroker (1994) and ‘Interzone’ (ibid) bodies. resting biomechanical objects maintain multiple connections in an expanding world in the third millennium. We explore the concepts of obsolescence and accident presented by William Lurtz at the Association for Strategic Accidents of 1990. We present in parallel ideas of “drug design” biochemical pharmacologies that allow new perception schemes that deal with ideas about virtual reality. As will be demonstrated in the course of the argument, there is a direct relationship between the expansion of VR technology immersion systems treated as virology and infection on the human senses, which generate the side effect of the immobilised body that is the result of a consensual hallucination (ibid) and desires to escape the body. Keywords: Anthropology, Technoculture, Narcotic-design, body, virtual reality Author: Hugo Paquete Year: 2019 Voice: Computer generated. Text: The Terminal Body of the Third Millennium: Connection Network and Aesthetic Obsolescence. Hugo Paquete: Author, Research grant, (FCT) Ph.D. student: Ph.D. in Digital Media Arts. Aberta University and University of Algarve, Portugal. Master in Contemporary Artistic Creation, (UA, 2014). (CIAC): Center for Research in Arts and Communication, University of Algarve, Aberta University. And in the (ID+ [UA /DeCA) Group: Praxis and Poiesis: from arts practice towards art theory, Research Institute for Design, Media and Culture, Aveiro University. Ana Santos: Co-author, Artist and Ph.D. student: ISCTE-IUL Department of Anthropology, Lisbon, Portugal. Researcher at CRIA-Centro em Rede de Investigação em Antropologia. Master in Contemporary Arts (FBAUP). Info: Integrated in the project CreArt (Network of Cities for Artistic Creation) and European cultural fund as a resident artist in Artkomas: Kauno kūrybinių industrijų centras. Kaunas, Lithuania. The project will be present in the next month. This work is based in a theoretical text that will be presented and published this year in a international meeting of art and technology in Lisbon, Portugal. Link of the event: https://18art.medialab.ufg.br/https://hugopaquete.tumblr.com/…/the-terminal-body-connecti…
Title; Dromology of orbital bodies: sound composition, using commercial and military satellites tracking technologies.
Year: 2018-2019
Core Area; Space-Earth Interactions
background (problem / need / opportunity):
Problem: This project is part of my doctoral project entitled Imanências Espectrais: Reflexão sobre o Pós-Digital nas Artes Sonoras in progress, funded by FCT: Foundation for Science and Technology. It starts from my experience with sound spatialization for multiple audio channels and the need to establish elements of sound production and autonomous trajectories starting from the concept of exteriority and telematics. Thus, this project reflects on the sound spatialisation where routes, trajectories and movements are developed, which in this case are mapped and sonified in real time by means of orbital motion of the satellites in real time, articulating in a direct relation with devices external to the planet earth that represent human activity at the limits of the planet and the universe.
Need: To develop this project, it was necessary to first understand what technical possibilities were needed to develop the project and this connection. The solution was to find an IP with the information of all commercial and military satellites and have an update in real time. This issue was critical to the project because composition and spatialization had to be generated in real time. Access to “information flows” was therefore critical to the toning processes involved. This situation has been solved with the development of a software and hardware that allows to access in real time this information with also to choose the satellite that is to be followed in real time. These issues were solved in partnership with my collaborators Christopher Zlaket (1992) of Arizona State University, specialized in interface design and David Stingley (1993) of MIT, specialized in computer science.
Methodology; Exploring the technical means of hardware and software to establish a telematic relation with civil or military satellites as elements that have autonomy, an orbit and can generate indeterminism in the production of the musical-sound work. In this way, the research allowed the development of an autonomous technological system to generate sound starting from the processes of sonification and the conversion into musical sound elements of spatialisation to integrate in my processes of artistic experimentation, reinforcing the practical theoretical investigation that I develop. Using the Arduino one r3 to a Midi shield as three possibilities. Input/Output and through conversations for Midi. Thus, using the midi protocol we could control virtual sound and image software as well as analog synthetics hardware. This practical, theoretical project, serves to construct discourses in art from where they immerse in concepts such as telematics and electromagnetic fields of information, accentuating the context of the impacts of technology as a culture in society and its implications, social, political and meaning. It drives concepts such as post-media and post-digital and their consequent analyzes and discursive implications in the 21st century.
Results; Construction of technical hardware and software to expand the possibilities of sonification in the sound arts. Presentation of practical examples developed as the built system.
The impact of the research work; Contribute conceptually to the understanding of the concept of post-digital through the artistic and technical device based on a practical, theoretical investigation that by means of sonification processes expands the fields of representation in the art and the formal means in the musical sound expression.
Dromology of orbital bodies: Sonification of satellites. Hugo Paquete. 2…
Hugo Paquete (1979). Research grant, (FCT) Ph.D student: Doutoramento em Média-Arte Digital. Aberta University and Algarve University, Portugal. Master in Contemporary artistic Creation, (UA, 2014). (CIAC): Center for Research in Arts and Communication, University do Algarve, University Aberta. And in the (ID+ [UA /DeCA) Group: Praxis and Poiesis: from arts practice towards art theory, Research Institute for Design, Media and Culture, Aveiro University. Title; Dromology of orbital bodies: sound composition, using commercial and military satellites tracking technologies. Year: 2018-2019 Core Area; Space-Earth Interactions To develop this project, it was necessary to first understand what technical possibilities were needed to develop the project and this connection. The solution was to find an IP with the information of all commercial and military satellites and have an update in real time. This issue was critical to the project because composition and spatialization had to be generated in real time. Access to “information flows” was therefore critical to the toning processes involved. This situation has been solved with the development of a software and hardware that allows to access in real time this information with also to choose the satellite that is to be followed in real time. These issues were solved in partnership with my collaborators Christopher Zlaket (1992) of Arizona State University, specialized in interface design and David Stingley (1993) of MIT, specialized in computer science.
Figura 1: Processo de sonificação da bacteria leptospirose utilizado na construção da composição da obra Zoe: Actante. Hugo Paquete, 2017-2019.
Figura 2: Processos de sonificação e modelo de aquisição de conhecimento. Hugo Paquete. 2019
This technical information seeks to analyze the impact of sonification processes on the sound arts, analyzing their first and second order modes in the definition of production methodologies, based on the genetic code of leptospirosis, used in the development of sound and musical elements with Iannix software integrated in the performance Zoe: Actant (2017), presented at the Archipelago Center for Contemporary Arts of the Azores. This project began between March and May in a context of artistic residency, called Salutem: to your health, at the Divino Espírito Santo Hospital, in Ponta Delgada in the IGC: Genetics Research Group BioISI – Biosystems & Integrative Sciences Institute. There was collaboration and involvement with professionals and users of that hospital, in particular with the research center focused on the study of leptospirosis and the most common fluid analysis center - blood, urine, feces and sputum - and also the virology center.
Hugo Paquete, 2017-2019.
Hugo Paquete Zoonosis Documentation 2017 2019
Seeks to analyze the impact of sonification processes on the sound arts, analyzing their first and second order modes in the definition of production methodologies, based on the genetic code of leptospirosis, used in the development of sound and musical elements with Iannix software integrated in the performance Zoe: Actant (2017), presented at the Archipelago Center for Contemporary Arts of the Azores. This project began between March and May in a context of artistic residency, called Salutem: to your health, at the Divino Espírito Santo Hospital, in Ponta Delgada. There was collaboration and involvement with professionals and users of that hospital, in particular with the research center focused on the study of leptospirosis and the most common fluid analysis center - blood, urine, feces and sputum - and also the virology center. Project developed in the research group UGPM - Unit of Molecular Genetics and Pathology and also by IGC group: Genetics Research Group BioISI - Biosystems & Integrative Sciences Institute. Hospital do Divino Espírito Santo in Azores, Portugal. Methodology and process in music composition. Sonification developed with sound recorded with a inductor microphone capturing sound under de human cognition from the electromagnetic fields present in the machines of the hospital labs. This documentation is integrated in the scientific article: Zoonosis leptospirosis spiral rhythms as a sound and musical infection published in the book #18.ART: Da Admiravél oderm das coisas: Arte, emoção e tecnologia. Hugo Paquete. 2017-2019.Hugo Paquete Sonification from the leptospirosis to piano and synthetize…
Seeks to analyze the impact of sonification processes on the sound arts, analyzing their first and second order modes in the definition of production methodologies, based on the genetic code of leptospirosis, used in the development of sound and musical elements with Iannix software integrated in the performance Zoe: Actant (2017), presented at the Archipelago Center for Contemporary Arts of the Azores. This project began between March and May in a context of artistic residency, called Salutem: to your health, at the Divino Espírito Santo Hospital, in Ponta Delgada. There was collaboration and involvement with professionals and users of that hospital, in particular with the research center focused on the study of leptospirosis and the most common fluid analysis center - blood, urine, feces and sputum - and also the virology center. Project developed in the research group UGPM - Unit of Molecular Genetics and Pathology and also by IGC group: Genetics Research Group BioISI - Biosystems & Integrative Sciences Institute. Hospital do Divino Espírito Santo in Azores, Portugal. Methodology and process in music composition. Sonification of four leptospirosis bacteria images converter to piano and synthesizer. This documentation is integrated in the scientific article: Zoonosis leptospirosis spiral rhythms as a sound and musical infection published in the book #18.ART: Da Admiravél oderm das coisas: Arte, emoção e tecnologia. Hugo Paquete. 2017-2019. Documentation of the work process. Hugo Paquete. 2017-2019Hugo Paquete sonification of the leptospirose genetic code 2017 2019
Seeks to analyze the impact of sonification processes on the sound arts, analyzing their first and second order modes in the definition of production methodologies, based on the genetic code of leptospirosis, used in the development of sound and musical elements with Iannix software integrated in the performance Zoe: Actant (2017), presented at the Archipelago Center for Contemporary Arts of the Azores. This project began between March and May in a context of artistic residency, called Salutem: to your health, at the Divino Espírito Santo Hospital, in Ponta Delgada. There was collaboration and involvement with professionals and users of that hospital, in particular with the research center focused on the study of leptospirosis and the most common fluid analysis center - blood, urine, feces and sputum - and also the virology center. Project developed in the research group UGPM - Unit of Molecular Genetics and Pathology and also by IGC group: Genetics Research Group BioISI - Biosystems & Integrative Sciences Institute. Hospital do Divino Espírito Santo in Azores, Portugal. Methodology and process in music composition. Sonification developed with sound recorded with a inductor microphone capturing sound under de human cognition from the electromagnetic fields present in the machines of the hospital labs. This documentation is integrated in the scientific article: Zoonosis leptospirosis spiral rhythms as a sound and musical infection published in the book #18.ART: Da Admiravél oderm das coisas: Arte, emoção e tecnologia. Hugo Paquete. 2017-2019.Hugo Paquete sonification from the leptospirose Genetic Code 2017-2019
Seeks to analyse the impact of sonification processes on the sound arts, analyzing their first and second order modes in the definition of production methodologies, based on the genetic code of leptospirosis, used in the development of sound and musical elements with Iannix software integrated in the performance Zoe: Actant (2017), presented at the Archipelago Center for Contemporary Arts of the Azores. This project began between March and May in a context of artistic residency, called Salutem: to your health, at the Divino Espírito Santo Hospital, in Ponta Delgada. There was collaboration and involvement with professionals and users of that hospital, in particular with the research center focused on the study of leptospirosis and the most common fluid analysis center - blood, urine, feces and sputum - and also the virology center. Project developed in the research group UGPM - Unit of Molecular Genetics and Pathology and also by IGC group: Genetics Research Group BioISI - Biosystems & Integrative Sciences Institute. Hospital do Divino Espírito Santo in Azores, Portugal. Methodology and process in music composition. Sonification for piano and synthesizer demonstration. This documentation is integrated in the scientific article: Zoonosis leptospirosis spiral rhythms as a sound and musical infection published in the book #18.ART: Da Admiravél oderm das coisas: Arte, emoção e tecnologia. Hugo Paquete. 2017-2019.
